DEVICE ︎ is a practice in translation—moving the digital into the physical. Each object exists as both wearable sculpture and collectible

This x-ray ︎︎ collection sits in the space between jewelry, fashion, and armor. Every piece is 3D-printed and cast in clear resin, exposing its mechanical inner workings while simultaneously refracting and bending the surrounding light.

The result is a form that feels simultaneously fragile and architectural, transparent yet protective—an artifact of the digital world made tactile.

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By translating digital design into physical craft, we are able to rapidly prototype and materialize new forms ︎

—each piece serving as a further exploration of both function and expression.

For the Spectral Flower piece, we set out to create a modular sculpture designed to be both displayed and held.︎
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Its petals, resembling intricate circuitry, can be assembled in multiple configurations, allowing the work to shift and evolve through interchangeable components.

This process video traces the full lifecycle of a wearable sculpture, from digital concept to physical object.  ︎︎︎

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It begins with 3D modeling, where form and detail are carefully sculpted in software. The design is then translated into resin through high-resolution 3D printing. Finally, the piece undergoes cleaning and finishing, revealing the clarity and intricacy of the mask as it moves from screen to tangible artifact.

︎︎these images show a few resin pieces out in the wild

︎ for this project, I developed a harness, mask, and handbag ︎

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—each custom-modeled and produced in black TPU through 3D printing. TPU allows for the creation of flexible yet durable models, making it an ideal material for wearable designs that need to withstand movement and strain on the body.  

︎ Created custom 3D makeup for Ariana Grande at the Met Gala, applied with adhesive so the pieces appeared to float on the face—producing an elevated, ethereal design and look.